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Alarm Will Sound may be heard on nine recordings, including our most recent, Modernists, released by Cantaloupe in May 2016, and the premiere recording of Steve Reich’s Radio Rewrite.

Our genre-bending, critically acclaimed Acoustica features live-performance arrangements of music by electronica guru Aphex Twin.

Louis, presented the world premiere of the staged version of Donnacha Dennehy’s The Hunger at the BAM Next Wave Festival and the Touhill Performing Arts Center.

Featuring Iarla O’Lionárd (sean nos singer) and Katherine Manley (soprano) with direction by Tom Creed, The Hunger is punctuated by video commentary and profound early recordings of traditional Irish folk ballads mined from various archives including those of Alan Lomax.

Held each July at the University of Missouri in Columbia, the festival features eight world premieres by emerging composers.

During the weeklong festival, these composers work closely with Alarm Will Sound and two established guest composers to perform and record their new work.

In 1996 at the Eastman School of Music two conversations met.

In 2013-14, Alarm Will Sound served as artists-in-residence at The Metropolitan Museum of Art.

Alarm Will Sound is a 20-member ensemble dedicated to the creation, performance, and recording of today's music.

It is an advocate for innovative work by established and emerging composers, especially works that incorporate theatrical and multimedia elements by choreographers, visual artists, designers, and directors.

Members of the ensemble began playing together while studying at the Eastman School of Music in Rochester, New York.

With diverse experience in composition, improvisation, jazz and popular styles, early music, and world musics, they bring intelligence and a sense of adventure to all their performances.

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During that season, the ensemble presented four large ensemble performances at the Met, including two site-specific productions staged in museum galleries (Twinned, a collaboration with Dance Heginbotham and I Was Here I Was I, a new theatrical work by Kate Soper and Nigel Maister), as well as several smaller events in collaboration with the Museum’s educational programs.

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  1. Gaining information from Sarah on the victims' backgrounds and the nature of their deaths, Tom provides suggestions as to what sin the victims may have violated; Sarah would begin to employ this approach herself without Tom's assistance in later episodes.